Before the varied attire of Arab Spring protesters, in recent times, revolutions tended to come in colours. Ukraine was awash with orange. Kyrgyzstan chose pink and Georgia rose. Thailand could not make its mind up over red and yellow. Choices varied but in each instance pigmentation signified unity behind certain causes and grievances. Yet in some cases the colours imbued more than solidarity – they bred an artistic renaissance. Last Friday, Olga Onuch, a former DPhil student in the DPIR and now a post-doc at the University of Toronto, and her father, Jerzy Onuch, spoke about the intersection between art …

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