On the 31 July 2011, photographer Miki Kratsman, head of the photography department of the Bezalel Academy of Art and Design, learnt that he was the recipient of the EMET Prize for Art, Science and Culture awarded by the Prime Minister of Israel.  Kratsman expressed his surprise (http://www.haaretz.co.il/hasite/spages/1239559.html): “when a minister like Liebermann is in office, and people understand his logic and do not go out to the streets and protest against the horrible things he does, I am awarded with a prize”.  There is, indeed, a sharp opposition between the brutality and ruthlessness of the current Israeli government, Kratsmans’ bold interventions into the seemingly stable status quo, and the decision to award him a with prize.  In a long …

Tel Aviv has known many hot summers in its history. But 2011 will probably be remembered as an exceptionally burning summer, one in which the city was flooded by tents occupied by young middle class residents, protesting against the rise in the cost of living.  As Or Rosenboim argues, these protests were characterised by the claim to “go beyond the political”, to ask for social justice, referring to the colloquial distinction between issues relating to security and defence, and particularly, the Israeli-Palestinian conflict, regarded as “the political”, and “the social”. I wish to argue that  these protests are closely interlinked to questions of foreign policy even though they put in much time and effort to avoid them. In a video …